Every Jazz
Composer to ever write 'The Legacy of Hank Levy'
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Henry J. (Hank) Levy was born in Baltimore on September 27, 1927. Like any other child of that era, he was raised with the opportunity to hear a variety of music, ranging from favorite Sousa marches to the latest Tommy Dorsey hits broadcast live on coast-to-coast radio. Surrounded by the sounds of the big bands. Hank's interest in that form developed at an early age. These early listening experiences laid the foundation for what would become his life's work, the composition and teaching of a specifically American musical genre, jazz.
He began taking saxophone lessons while in grade school. Even as a youngster, he wanted to write his own music and by age twelve had completed the first of many compositions. While still in high school, he was asked to join Ken Hanna's band, filling a void left by the many Baltimore musicians called to duty in the armed services during World War II. Ken, a former trumpet player and arranger for Stan Kenton. introduced Hank to the big band scene, which included Stan Kenton's recordings and charts. Reminiscing, Hank recalls "what a kick it was, getting Kenton manuscripts to work on."
Every Tuesday they used to broadcast these things. I looked over to where Bob Gioga was sitting and offered his horn back; he just waived his hand, as if to say, 'No thank-you.' Anyway, I survived, and Stan said, "Let's go.' I called home and said, 'I'm going with the Kenton band, and—by the way—could you send me enough money for a baritone sax?'"
After a six-month tenure with the band. Hank returned home to the family business. It was during this time that he became more determined to develop his compositional talents, and began to focus his efforts in that direction. In 1958, he got his first commission when Sal Salvador, a friend from the Kenton band, hired him to write for Sal's all brass big band in New York. Hank contributed many charts over the next three years and experienced the thrill of having his music recorded lor the first time.
To try his forays into odd meters. Hank organized his own rehearsal band. His lead trumpet player, Glen Stuart, met trumpeter Don Ellis on a summer time tour. At the time, Don was studying Indian tabla playing, a rhythmically complex musical form. Later, when Don formed his own band in California, he hired Glen to play lead trumpet, Glen called Hank and said. "You and Don are experimenting along the same lines. Why don't you send us some charts?" As a result, Hank started writing for Don Ellis' band in 1965 and continued for the next ten years.
Hank retired from Towson State University in 1991. but continued to write by commission. Many of his older works are available through a variety of publishing companies. He directed the Towson State Alumni Jazz Ensemble and was also active with several rehearsal bands in the Baltimore area. On February 25, 1997, Hank Levy was appointed Professor Emeritus at Towson State, continuing his long-standing and esteemed relationship with the school. He and his music continue to be an inspiration to students and professional musicians alike. Hank Levy died of congestive heart failure on September 18, 2001 in Baltimore, Maryland
About Hank Levy Alumni BandThe Hank Levy Alumni Band is dedicated to performing the music of Hank Levy.Most of the band members are professional musicians who studied and played withHank. Hank Levy was best known for his work as a jazz composer and arranger,notably with bands led by Don Ellis and Stan Kenton, and later for his work as ajazz educator. He was interested in giving jazz what he called "a kick in the rearend" by using odd meters like 5/4, 7/4, 9/4 and 13/8, and by employing unusualharmonies and voicings. His music was considered difficult to master but rewardingto play by the various bands with which he was associated, including his own groups.
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